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There are many people for whom this applies, but the main characters whom personify this adage are Iago, the Ancient of Othello; Emilia, the wife of Iago; and Othello, the Moor of Venice himself.
Iago is the master manipulator. He is also one of the two deuteragonists in the play, the other being Michael Cassio. He controls Othello, Cassio, and Roderigo, all with his kind words and guiding hand; and yet, he plots the downfall of both Othello and Cassio, and sees Roderigo as being expendable.
The reason for this is that he jealously believes Othello and Cassio have slept with his wife Emilia. Iago represents the male embodiment of the theme of appearances versus reality. Emilia, who is the wife of Iago, is also the lady-in-waiting to Desdemona. She is one of the two tritagonists in the play, the other being Desdemona.
She is a very interesting character; like her husband, she maintains different personalities, and uses them with different people, as people do in the real world. This attitude of loyalty to her husband, as long as she was not expected to do anything illicit, is quite in contrast to the attitude she shows to Desdemona.
Desdemona is like a daughter to her; Emilia always gives mothers her and tries to make her get a better grasp on the world. But for the whole world!
On one side she is the adoring wife, who loves her husband enough to take her mistresses things; on the other side she is the powerful feminist figure, who would nonetheless do anything to protect her young mistress from the world, mainly by making Desdemona see the world for what it is.
Othello is the main protagonist. He is a great character to show the themes, especially of appearance versus reality, and yet he is mainly overlooked. This man seems to be a soulless battle machine, and, although he is black in a world ruled by whites, he has risen far in the Venusian Armed Forces.
He seems impervious, and yet he has a very basic flaw; he loves his wife, who took him even though he was a battle machine, and the very thought that she could be committing adultery is enough to rip him apart internally.
Shakespeare set Othello up to be the one character for which all of the main themes apply; setting him up as a character that seems too battle hardened for feelings at the start, then letting him softly slip sideways into love, retaining his overpowering control, so he seems little changed, then destroying his character as appearance merges with reality for the finale.
In conclusion, the theme of appearances versus reality in Othello is very important, indeed the main theme, and the above characters demonstrate this admirably. Iago through his contortion of appearance and reality, Emilia through her many-faceted nature, and Othello through his evolution and merger of appearance and reality.In Iago's view, Desdemona's love for Othello is simply unnatural sexual desire, and her courtesy to Cassio is "Lechery, by this hand; an index and obscure prologue to .
In Iago's view, Desdemona's love for Othello is simply unnatural sexual desire, and her courtesy to Cassio is "Lechery, by this hand; an index and obscure prologue to . Throughout Shakespeare’s play, Othello, there are many themes interwoven to describe the author’s perspective of the true nature of a man’s soul.
Three themes critical to the play are doubt versus trust, monstrous imagery and the fallible love of man. One central theme of the play is the major. The ThemeTracker below shows where, and to what degree, the theme of Prejudice appears in each scene of Othello.
Click or tap on any chapter to read its Summary & Analysis. Click or tap on any chapter to read its Summary & Analysis.
Explore the different themes within William Shakespeare's tragic play, Othello. Themes are central to understanding Othello as a play and identifying Shakespeare's social and political commentary. In Othello, the major themes reflect the values and the motivations of characters.
In the play Othello, the Moor of Venice, one of the key themes is Appearance versus reality. There are many people for whom this applies, but the main characters whom personify this adage are Iago, the Ancient of Othello; Emilia, the wife of Iago; and Othello, the Moor of Venice himself.