Cyrano de Bergerac was the theatrical triumph of the century, quantitatively perhaps the greatest that the history of the theatre has ever known.
Because the main idea of Cyrano de Bergerac is the conflict between appearance and truth, it is obvious that theme and irony are closely woven in the play.
Irony is, of course, one of the most intriguing of literary devices. It has been in use at least since the early Greek dramatists, and it has seldom failed to capture the interest of an audience.
And that is one of the major reasons that Cyrano has remained popular for so many years.
Here are just a few of the ironies of the play: It is ironic that Christian's beauty makes him appear to Roxane to be all that she thinks her heart desires, and it is ironic that Cyrano's ugly appearance hides from Roxane that which she truly desires — beauty of soul.
It is ironic that Roxane confesses to Cyrano, not her love for him, but for Christian. And it is doubly ironic when she begs Cyrano to protect the man she loves.
It is ironic that it is Cyrano's deception that makes possible the blossoming romance between Roxane and Christian. And it is even more ironic that when Christian tries to be honest, he fails hopelessly, and it is Cyrano's words and Cyrano's presence that enable Christian to marry Roxane.
It is ironic that Christian is killed before Roxane can be told what only Christian and Cyrano know — that the man she loves is, in reality, Cyrano. And this irony is compounded by the fact that it is Cyrano's letter which Roxane carries next to her heart, "like a holy reliquary," during her years of mourning.
The crowning irony — certainly, at least, for Cyrano — is that he is dying, not with "steel in my heart and laughter on my lips," but murdered by "a lackey, with a log of wood!
And, finally, there is irony in Roxane's discovery — too late that it is Cyrano whom she has loved for so long. The eternal nature of this theme is one explanation for the continued success of the play.
Another reason could be the suitability of the ending to the characters. Imagine Cyrano as a husband. Imagine Roxane as a wife.
Their romance, with Cyrano playing the part of the chevalier servant, could go on for all their lives; their marriage would have been miserable. But Cyrano did not really want to marry Roxane. She was lovely, and he loved her for exactly the same reasons that Roxane loved Christian.
Christian is the only major character in the play that makes any attempt at being honest. He wants very much for Roxane to love him for himself. Neither Roxane nor Cyrano have any desire to face reality, however.
They are happy in their make-believe world.Cyrano de Bergerac was the theatrical triumph of the century, quantitatively perhaps the greatest that the history of the theatre has ever known. For some years the young author was universally.
Point out ways in which Rostand shows Cyrano's personality, accomplishments, and character. 2. What is Rostand's attitude toward Roxane? 3. Is the appearance of De Guiche necessary in Act V?
Cyrano de Bergerac is an epic play written by Edmond Rostand, for which he derived his idea based on the story from real-life character, Cyrano. In this play, Cyrano is depicted as a slightly different protagonist, or the main character. law of nature Essays.
At first glance, Cyrano de Bergerac by Edmond Rostand is about a sympathetic hero with one huge flaw, his nose. However, upon closer inspection, Cyrano’s true flaw, his fatal flaw, is .
The Play Cyrano de Bergerac by Edmond Rostand Essay - Looks can be a very determining factor, and sometimes people's appearances can affect what she or he can or can not do in society and what they do to fit into it.
The play Cyrano de Bergerac by Edmond Rostand, is . Also discover topics, titles, outlines, thesis statements, and conclusions for your cyrano de bergerac essay. Cyrano DeBergerac Essays* 1. Compare and contrast Rostands Cyrano de Bergerac with Shakespeares Romeo and Juliet.